Review by David Baldwin

The Blooms were an adventurous family who loved spending time outdoors. That changes in an instant during a trip to Thailand when Sam Bloom (Naomi Watts) falls from a platform in a freak accident, breaks her back and becomes paralyzed from the waist down. While Sam and the family learn to cope and understand her new disability, they take in an injured magpie they affectionately name Penguin, or Peng for short. While this new member of the family is initially a burden on Sam, it slowly starts to aid in her recovery.

Penguin Bloom is an inspiring true story that would have really flourished if it were able to have a flashy physical premiere at last fall’s Toronto International Film Festival. The cast would have attended, and the real life Bloom family would have been there too. I can practically feel the energy and thunderous standing applause at the Princess of Wales when the real Sam Bloom wheeled herself out on stage. It would have been a triumphant and vividly emotional moment. Covid robbed us of that, and instead it premiered online and in sparsely attended Lightbox screenings because the festival was only able to sell a set number of seats to each screening. A far cry from the days of 2000+ people crammed in at Princess.

I missed Penguin Bloom at the festival and ended up watching it on Netflix from the comfort of my living room a week ago. I was safe from Covid, but it was an even further cry from that theoretically triumphant premiere that was never able to happen.

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Review By David Baldwin

The Way I See It centres on Pete Souza, the former White House chief photographer for President Ronald Reagan and President Barack Obama, and the images he took during their presidencies. While the film does spend some time on Reagan, it mainly chronicles the time Souza spent with Obama – using some of his public speaking talks to bridge the gap between important events alongside his pointed commentary on President Donald Trump.

My go-to buzz word when describing documentaries is “fascinating”, no matter the subject or context. The Way I See It certainly fits that fascinating mold, but the content within it seems substantially important enough that calling it fascinating is just not enough. It digs in deep past other surface level documentaries of its ilk and is captivating for the entirety of its running time. Watching Souza in action is what I imagine it would be like watching a painter creating Renaissance master works. He knows just how to compose the perfect shot and just when to take it. And his access to such intimate and candid moments of Obama, his family and his staff is simply mind-blowing. I had seen some of Souza’s photos in passing before, but seeing them being celebrated here as documented history is a moving experience all in itself.

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