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All posts for the month July, 2019

Review by David Baldwin

I have been trying to write a review for Riley Stearns’ The Art of Self-Defense for over a week now. I am at the point in my life where free time is slowly dwindling down, and adulthood and the responsibilities that come with it keep amping up. I do chores in and around the house, and by the time I get to writing, I just end up staring at a blank Word document and falling asleep. But in all of that time, I have not stopped thinking about Stearns’ film. It has lingered at the back of my mind, popping up when I least expect it and bringing me snide joy more times than I can count.

And I would like to think that would make Sensei proud. But I also think that he would consider me less of a man for feeling this way. Probably even less than that for using the words “snide joy” in a sentence.

If reading that sounds a bit toxic, offensive and more than slightly emasculating, than The Art of Self-Defense may not be for you. The tale of Casey (Jesse Eisenberg), his desire to learn how to defend himself, and his admiration and later obsession with the local dojo run by Sensei (Alessandro Nivola) starts off innocuously and humourously enough. But around the halfway mark, it jumps the rails and morphs into the bleakest, darkest satire imaginable – something that practically wrecks of toxic fumes. And it happens to be one of the funniest comedies of the year thus far.

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Review by David Baldwin

Jimmie (Jimmie Fails) and Mont (Jonathan Majors) are friends who do everything together. Jimmie lives at Mont’s house, but dreams of moving back into the home his Grandfather built in the Bay Area back in the 1940’s. Despite another couple living there, Jimmie tends to the gardens and paints the windows and trim outside. When he finds out they are divorcing, he tries to buy the house. And despite finding out he does not have nearly enough money to pay for it, Jimmie is determined to make it his own.

In a strictly visual sense, The Last Black Man in San Francisco is a sumptuous feast for the eyes and easily one of the most gorgeous films of the year thus far. Every single shot from the opening frame right up until the closing credits is captured and composed beautifully. The colour palette used here is stunning and makes for a truly miraculous work of art. There was a lot of hype and excitement for the film coming out of this year’s Sundance Film Festival, and it is very easy to see why. I was practically mesmerized by Adam Newport-Berra’s breathtaking cinematography so often that I forgot what was actually going on within the story.

And in a way, I think that might be intentional.

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