The EarthX Film Festival wraps up today with its last day of virtual screenings. The festival’s in-person portion ran from May 12-15 in Dallas, Texas and virtual screenings ran from May 16-23. The festival’s mission is:
“…to bring awareness of the environmental crisis in order to create sincere action on both an individual and communal scale; to inspire local and global change on how we as humans affect our home planet and our fellow beings. We aim to include Texas, and the Southwest, in the conversation on climate change through compassionate, positive, truthful storytelling.”
While I was not in the ground in Dallas, I did have the opportunity to view two of the bigger titles at the festival: Fire of Love and We Feed People.
Stephanie Conway (Rebel Wilson) has just woken up from a 20-year coma. Prior to that, she was one of the most popular girls in high school and the captain of the cheerleading squad. Now, she is a 37-year-old woman who is desperate to finish her senior year and become the prom queen she felt she was always destined to become. Of course, things are not the same in 2022 as they were in 2002, and it will not be easy for Stephanie to just reclaim her throne as the most popular girl in school.
Hijinx ensue of course, with rivalries, potential suitors, “woke” teenagers and activists, elaborately sexual dance routines, underage drinking, Deep Impact, Steve Aoki, and the senior prom all factoring into the story powering Senior Year. If that sounds like a bit too much going on, well, it is. If it sounds like it has a “been there, seen that, done it, threw out the t-shirt” kind of vibe, then you are very much on the right track. If it sounds like the funniest film ever made, then we may need to reconsider what you think is funny.
I am still somewhat aghast when it comes to The Sadness. I watched it more than two weeks ago and no amount of cold showers can wash away the shockingly vicious images that have seared into my mind. I know that sounds like hyperbole and that just about every other super gory horror movie has struck a similar nerve in the film going community over the past decade or two. I am a fan of many of those films and watched many others strictly because I pride myself on my tolerance for films that more squeamish people would run away screaming from. Yet despite some of those titles being substantially more mortifying than The Sadness, the film still has a way of leaving you shaken and uneasy. Have you ever watched a movie and breathed a sigh of relief when it does not go as far as you thought it would? Well, The Sadness does the opposite – it goes well past the threshold of “too far” and into a realm of depravity few films have ever journeyed into.
And just so you know Writer/Director Rob Jabbaz (originally from Mississauga!) is not playing around, he makes that depraved journey multiple times. And each time is more fucked up than the last.