Review by David Baldwin
Years after a school shooting incident, two sets of parents — Jay and Gail (Jason Isaacs and Martha Plimpton), and Richard and Linda (Reed Birney and Ann Dowd) — agree to sit down privately to converse, grieve and find a way to move forward.
Mass was one of the hottest films I missed during this year’s Sundance Film Festival. I finally had my chance to watch the film at last month’s Cinéfest Sudbury Film Festival and was left in a state of shock and awe by the time it ended. It may just be a film mainly comprised of four people talking in one location (very much in line with a play), but it is a riveting and necessary work that may prove to be too intense for some viewers. I had to literally pause the film and take a 10-minute break before diving back in. It really was that visceral and aggravating to watch. That is not to say that the film is bad or disappointing. Rather, it is just so deep and moving, that it bends the line between fiction and reality in ways that will affect you no matter what stage of life you are at.
Review by David Baldwin
Edee (Robin Wright) is looking for a change of scenery, far away from the city and the life she wants to leave in the past. She settles into a cabin in the remote mountain wilderness of Wyoming with some food and supplies, but deliberately chooses to have no car, no phone or contact with the outside world. While things start promising, Edee quickly becomes in over her head with how unprepared she is for the harshness of her new reality. A chance encounter with local hunter Miguel (Demián Bichir) changes everything as he begins teaching her the skills she needs for survival.
Despite being made before Covid became our harsh reality, Land ends up feeling like a movie tailor made for the feelings many of us are having daily. Loneliness, depression, isolation and hopelessness are universal themes for all of us right now, and they are some of the biggest themes coursing through Land’s veins. Robin Wright does an excellent job capturing all of it as both the film’s lead and as its director (her feature film debut!), really allowing us to feel every moment of Edee’s journey of self-discovery. The way she uses the space is terrific, whether it is by showing how confined Edee’s new home is or how small she is amongst the vast unexplored wilderness. The natural lighting allows for some truly gorgeous cinematography (the Canadian Rockies stand in for Wyoming, and they look stunning) and while it may seem trivial, it was refreshing to see a film like Land filmed with a steady, static camera and not a handheld or shaky cam.