Cannes

Review by David Baldwin

I watched Annette a few nights ago, and have been racking my brain trying to find the words to properly describe it. It is a truly unique vision that is equal parts brilliant and bewildering. At the same time, it is profoundly weird and destined to be polarizing. This rock opera (which I guess would be the closest genre description?) will not be for everyone and I expect many will straight up loathe its very existence. The film World Premiered just under a month ago at the Cannes Film Festival as the Opening Night selection and received a 5-minute standing ovation (which bored Adam Driver and Director Leos Carax so much that they started smoking in the middle of it) as well as the Best Director prize.

Annette centres on Henry (Driver), a comedian married and in love with opera singer Ann (Oscar-winner Marion Cotillard). They both have their separate careers and goals, but all of that changes irrevocably after the birth of their daughter Annette.

Knowing this and very little else beyond what I gleamed from shortened Twitter reactions, I prepared to see something crazy. And while it indeed is the certifiably bonkers vision I expected, it is also deeper and more introspective than I ever could have imagined.

So may we start?

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