Another year, another TIFF. It was my ninth year in a row of going to the festival, and my second time covering as Press — but first time where I actually used the pass as it was meant to be used. The less said about the last time, the better.
I watched 5 films before the festival, 44 films during (my own personal record!), attended 2 Press Conferences, 1 Jason Reitman Live Read (for The Breakfast Club no less), and even had some time leftover to skip a whole day to attend the wedding of a dear friend. Through all the smoking and deep, depressing films, I had a total blast and cannot wait for next year. Perhaps I’ll budget my sleeping better so I don’t doze through a good portion of a movie like The Old Man & The Gun? Probably not, but I can at least pretend that I’ll try.
I wrote quite a few words for Mr. Will Wong on a number of the films I had the opportunity to see, so here are the individual links to those reviews and the links to the Press Conferences I covered:
CAPSULE REVIEWS
Can You Ever Forgive Me?
Fahrenheit 11/9
First Man
The Front Runner
Halloween
High Life
Hold the Dark
The Kindergarten Teacher
Kingsway
Let Me Fall [Lof mer ad falla]
Life Itself
Mid90s
Monsters and Men
Nekrotronic
The Predator
A Private War
The Public
ROMA
Les Salopes or the Naturally Wanton Pleasure of Skin [Les salopes ou le sucre naturel de la peau]
A Star is Born [2018]
Wildlife
FULL REVIEW
PRESS CONFERENCES



Celebrity wise, I saw Moore that night, along with Jake Gyllenhaal and Naomi Watts on the red carpet for Demolition. I’ve been doing red carpets for six years taking pics (and trying for selfies), but ever since camera phones have caught on, it seems like I get more shots of those than I do the celebrities. Or whatever enterprising idea autograph hounds have for getting their attention and ensuring the autograph turns out. Or whatever attention this girl desperately wanted from Gyllenhaal.