Review by David Baldwin
I have been kicking myself for missing In Fabric when it screened during TIFF well over a year ago. I had scheduled it in for the second day of the festival and lined up diligently 40 minutes prior to showtime. It was my first year being a serious member of the press and I had quickly discovered that to maintain my schedule, it would involve a lot of running around between theatres and screens. Having already sat through 8 films by that point, I thought I had it all figured out. But I had not factored in the size of the screen and the number of seats for that particular screening, and stupidly thought that I would not have any issues entering despite the obscene number of people in line. My confidence took a bit of a hit when they cut off the line with ten people ahead of me. Somehow I held out hope that eleven magical seats would show up if I waited around, missing other potential screenings I could have ran into instead. But it was not to be for me, the few people ahead and the 100+ behind me.
TIFF made up for this by scheduling multiple additional screenings of the film to meet the audience demand. As it would turn out, I had other much more pressing movies to see literally every single time they showed it. I was disappointed I missed out, but the consolation was seeing literally everything else. A24 picked up the film for release in the US soon after the festival (Mongrel Media picked it up for Canada), so I assumed I would not have to wait all that long to see it. That was September 2018.
Cut to December 2019. It is very cold outside, Christmas is coming, a whole other TIFF has come and gone, and I am just now finally seeing In Fabric. Some would call it a Christmas movie, so thematically the timing makes sense. But to say my expectations were super high would be an understatement.
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